It was fun.
I remember getting Ritual de lo Habitual when I was fifteen or so, a few years after its release and the (first) breakup of the band, one of my selections from one of those CD clubs where the first nine cost a penny…and then my everlasting soul after that. Pretty quickly, it became one of those albums that I listened to over and over again, the singles I initially purchased it for (“Been Caught Stealing” and “Stop” respectively) falling to the wayside and the deeper cuts becoming my favorites. “Of Course” was always the glowing, standout.
Years later when I was performing the song with my band, I kind of got to where I preferred our take of the track more, in all of its reverb-drenched, droning, repetitive goodness. Then I listened to Perry Farrell and company’s original version again and realized how stupid that was. It’s like a tune from some twisted, Bizarro World version of Fiddler on the Roof. The fact that a song as weird and different as “Of Course” was on an album that sold over 2 million copies is just astounding.
On a side note, I used the “clean” cover for this article since that’s the version I had…and in some ways, I think it’s more powerful and subversive, the First Amendment text being a little “fuck you” to the retailers that refused to carry the original because of a little artistic nudity.
Listen below, our Daily Jam.
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