I also distinctly remember listening to 1993’s Souvlaki for the first time, the album from which “When the Sun Hits” appears, borrowed from the same friend. I laid on my bed at my parents house during the summer between my freshman and sophomore years, probably drunk or stoned or buzzing, and I listened to the album straight through. And then I listened to the whole thing again. And it felt like all those layers of guitar effects and reverby, cooing vocals were washing over me. It felt like the ethereal atmosphere from the Brian Eno aided tracks was dissolving my walls, making my room disappear, and sending my corporeal form elsewhere. It was beautiful. It was soothing. It was transcendent.
Relistening to the album again later and with a clearer head, the result proved to be the same.
Over the last several years, I have bounced around from track to track on Souvlaki, a new favorite taking over for awhile, but ultimately, I always come back to “When the Sun Hits.” And keeping with my Slowdive tardiness, I finally got to catch the band live in 2016 here in Austin, tickets scored for a last second Levitation makeup show (RIP Levitation 2016). It was fantastic to see the kind of following the band has. With the venue at capacity, there were easily hundreds of people milling about on the other side of the gates, just listening, or climbing onto trees and structures to peer over the fence. It was kind of amazing. It turns out this music’s not just for me. But when they began “When the Sun Hits,” and the scenery melted away, it certainly still felt like it.
Listen below, our Daily Jam.
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