I’m pretty sure “Just One Fix” was the first song by Ministry that I ever heard, seeing the video on MTV when I was in junior high, Jourgensen’s echoed scream kicking me in the ears while images of tornadoes, destruction, and William S. Burroughs burned into my retinas. Psalm 69* would eventually find it’s way into my collection, and remains the band’s pinnacle, but the follow up four years later would spawn quite possibly the strangest move the industrial mainstays ever made (even stranger than morphing from a darkwave synthpop group into an industrial heavy metal band), the rough-edged, hard, and beautiful cover of Dylan’s “Lay Lady Lay.”
No one expected that. No one. And, maybe I’m alone in this feeling, but who even would have thought that it would be as good as it is too. While remaining faithful to Dylan’s original version, the melody and sentiment intact, Ministry managed to make the song sound like a Ministry song, or at least a kind of poppier Ministry song than we had grown accustomed to, like what an old love song would sound like filtered through crunchy, distorted guitars and drum machines. Up to that point, 1996’s Filth Pig, Ministry had been a dancey pop band, and then a darker, icier synth band, and then a noisy, cacophonous metal band. Their cover of “Lay Lady Lay” seems to draw from all of that, a summation of the past crafted into a song they didn’t write, all while still moving their sound forward. I feel I’m alone in this sentiment, but it’s perfect.
Ministry never really got under my skin again like they did in the 90’s, releasing a string of albums that I’ve never paid any attention to, but for a little while there, they were everything music was supposed to be.
*There is much debate as to what the actual title of that album is. I won’t get into it here. You know what Google is.
