Beginning with some vibes and chimes, something akin to an infant’s lullaby, the song churns slowly at first, gradually increasing tempo and adding instrumentation. A beat here. A synth there. And then Deacon’s voice comes in, layered with effects, creating a chorus of sound that ascend and ascends, the beat getting faster and faster. By the time the bridge comes around, the song’s New Wave-y pop aesthetic has begun to disintegrate, pitch-shifted choral vocals lifting off and sampled blips and blurps creating a frenetic rhythm that suddenly drops, the verse and chorus beginning again, but smashed into the dance floor. You cannot help but shake to this song. You cannot help but bob your head and wave your arms in the air, smoke filling a room, lights spastically flashing in conjunction with the beat, bodies moving in harmony. “Snookered” is the sonic equivalent of speedball, but goddamnit it’s good for you! And then the lights go off, and the gentle, lullaby chimes come in again, and it was all a dream.
“Been wrong so many times before, but never quite like this…”
Listen below, our Daily Jam.
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