I make my way into some old chateau in a European countryside. Dusk has brought the moon with it, and everything glows. Inside the ballroom, it’s the same as the meadow, but with wigs and masks. Someone somewhere plays a harpsichord. I step into the surreal, drink the potion, and feel the hairs on my neck again.
“La Chanson de Slogan” by Serge Gainsbourg and Jane Birkin, taken from the soundtrack to the 1969 French film Slogan, is not about any of these things. In actuality, it’s a duet where the woman tells a man how vile he is, while he insists that she still loves him. But it’s in French, so I’m not really all that concerned with what it means, but how it makes me feel. And it makes me feel like I’ve stepped in to some decadent party or ritual, like witnessing some freaky occult sex act, but not being asked to leave. It makes me feel like I’m about to trip. The haunting harpsichord layered on top of the jazzy, psychedelic strings feels ghostly and surreal, all the while the rhythm section plays a funky, break-filled beat. Jane Birkin’s cooing siren’s call and Gainsbourg’s smoky, seductive whisper complete this psychosexual atmosphere.
And it’s intoxicating. And sexy.
Seriously, “La Chanson de Slogan” plays like a drug in my head. I can’t escape it, and I’ll find myself craving a fix at any given moment.
Check it out below, our Daily Jam.
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