It’s just so much easier to pretend than to be.
In some other alternate reality, maybe I’m a successful writer, or a musician, or a filmmaker, cartoonist, psychiatrist, marine biologist, politician, ninja, astronaut. Or maybe I’m not. Probably I’m not. Probably I’m just floating along imagining I’m all of those things like I do here.
Though I hope I’m the ninja.
Anyway, daydreaming and pretending and living in your own head works best with a soundtrack, something to make it all the more cinematic, all the more false. And nothing works for floating around all day for me quite like the funereal folksong of “Romneydale,” a bit of crusty, lo-fi Americana from the 2011 album The Outside Room by Natalie Mering’s project Weyes Blood…or sometimes Weyes Bluhd…or sometimes Weyes Blood and The Dark Juices. But mainly just Weyes Blood.
“Romneydale” is a surreal and heady piece of psychedelic folk, six minutes of aimless wandering in a trancelike state. There’s something almost ominous about the song, the gentle guitar strumming and bits of chime and ambience carrying an old world weight beneath them while Mering’s ghostly, haunting, and cooing vocals float in the air like unsettled dust, disturbed by the shuffling of solemn shoes, a dirge for a lost middle America. But there’s also this kind of melancholy and soothing call to come back home, back to the warmth of your blankets, back into the arms of a loved memory. And maybe stay there for a while.
Back to my head with me.
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